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Interview: Shô Miyake on the lyrical ‘All the Long Nights’

Natalie NgAugust 17, 2024

Interview: Tetsuya Chihara on the stylish ‘Ice Cream Fever’

Natalie NgJuly 17, 2024

Interview: Shunji Iwai reflects on ‘Kyrie’ and his career

Natalie NgJuly 7, 2024

Interview: Shô Miyake on the lyrical ‘All the Long Nights’

Natalie NgAugust 17, 2024
We caught up with Shô Miyake, one of Japanese cinema's most promising young filmmakers on his lyrical new film, 'All the Long Nights'....
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Interview: Tetsuya Chihara on the stylish ‘Ice Cream Fever’

Natalie NgJuly 17, 2024
We speak to designer turned filmmaker Tetsuya Chihara and his stylish debut film 'Ice Cream Fever', based on a short story by Mieko Kawakami....
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Interview: Shunji Iwai reflects on ‘Kyrie’ and his career

Natalie NgJuly 7, 2024
We caught up with Shunji Iwai, one of the premier names in Japanese independent filmmaking, to discuss his new music drama, 'Kyrie'....
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Review: Mimang

Natalie NgMay 3, 2024
Kim Tae Yang's gorgeous debut film, Mimang subverts our expectations of 'walk-and-talk' dramas yet carves its own brand of emotional honesty....
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Videos

Video Essay: The Eyes of Hong Kyung-Pyo

September 3, 2021

The Women Directors Leading South Korean Cinema Into its Next Century

October 26, 2020

A Historic Heist: How Parasite Stole the Oscars

October 11, 2020

MAMAMOO – ‘Wind flower’ x Wong Kar-Wai

July 31, 2020

The Troubled Production of In the Mood for Love

July 16, 2020

Interview: Zhang Mengqi on documentary ‘Self-Portrait: 47KM 2020’

Natalie NgApril 4, 2024
Documentary filmmaker Zhang Mengqi reflects on her film 'Self-Portrait: 47KM 2020', the eleventh film in her ongoing Self-Portrait series....
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Interview: Director Ryota Nakano on capturing humor and tragedy of family life

Natalie NgFebruary 21, 2024
We spoke to Japanese filmmaker Ryota Nakano on his filmography and capturing the complexities of family in cinema....
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Memory, loss and transience: The films of Yui Kiyohara

Natalie NgSeptember 5, 2023
Japanese filmmaker Yui Kiyohara dwells on the theme of memory with striking poignancy in her two films Our House and Remembering Every Night....
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Interview: Director Yui Kiyohara on ‘Our House’ and ‘Remembering Every Night’

Natalie NgAugust 27, 2023
We caught up with one of Japan’s most exciting emerging directors, Yui Kiyohara, to dive deep into her filmography thus far....
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Taiwan Film Festival in Australia: Arvin Chen on Mama Boy and Taiwanese cinema

Natalie NgJuly 30, 2023
Taiwanese-American director Arvin Chen talks about writing complicated mother-son relationships in ‘Mama Boy’ ...
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Japan Cuts 2023 Review: Amiko

Brooke HeinzJuly 30, 2023
Japanese filmmaker Yusuke Morii shows immense promise with their gorgeous debuting coming-of-age feature Amiko....
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Japan Cuts 2023 Interview: Daigo Matsui on his modern pink film ‘Hand’

Natalie NgJuly 26, 2023
Director Daigo Matsui on centering female agency and sexuality in erotic cinema. ...
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Japan Cuts 2023 Interview: Daisuke Miyazaki on ‘Plastic’

Natalie NgJuly 25, 2023
We caught up with director Daisuke Miyazaki to talk about music and coming-of-age in his new film ‘Plastic’...
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Review: Two of Us & Long Term Coffee Break

Claire LanglaisMarch 25, 2023
We look back on Two of Us and Long Term Coffee Break, two shorts from 'The Female Gaze: Women Filmmakers from JAPAN CUTS and Beyond' program....
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Review: Old Town Girls

Levin TanDecember 13, 2022
Promising first-time filmmaker Shen Yu ruminates on violence, poverty and ambition in the Chinese neo-noir, Old Town Girls....
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Interview: Director Naoko Ogigami on ‘Riverside Mukolitta’

Natalie NgNovember 17, 2022
We caught up with director Naoko Ogigami to chat about her latest film "Riverside Mukolitta" starring Kenichi Matsuyama and Hikari Mitsushima....
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‘In Front of Your Face’ & Hong Sang-Soo’s Conscious Cinematic Universe

Hayley InchAugust 16, 2022
To live in Hong Sang-Soo's cinematic universe is to accept cinema as a collective consciousness; where each film speaks to one another....
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