Review: Two of Us & Long Term Coffee Break Claire LanglaisMarch 25, 2023 We look back on Two of Us and Long Term Coffee Break, two shorts from 'The Female Gaze: Women Filmmakers from JAPAN CUTS and Beyond' program.... Reviews0 Comments
Review: Old Town Girls Levin TanDecember 13, 2022 Promising first-time filmmaker Shen Yu ruminates on violence, poverty and ambition in the Chinese neo-noir, Old Town Girls.... Reviews0 Comments
Interview: Director Naoko Ogigami on ‘Riverside Mukolitta’ Natalie NgNovember 17, 2022 Riverside Mukolitta is screening as part of the Japan Society's ACA Cinema Project series, The Female Gaze: Women Filmmakers from JAPAN CUTS... Features0 Comments
‘In Front of Your Face’ & Hong Sang-Soo’s Conscious Cinematic Universe Hayley InchAugust 16, 2022 To live in Hong Sang-Soo's cinematic universe is to accept cinema as a collective consciousness; where each film speaks to one another.... Features0 Comments
Limitless Liminality: The Space Between IU and Lee Ji-Eun Natalie NgAugust 14, 2022 The trajectory of Lee Ji-Eun's acting career reveals a larger story about the woman behind IU and her ability to negotiate her celebrity.... Features0 Comments
MIFF 2022 Review: Children of the Mist Hieu ChauAugust 9, 2022 Ha Le Diem's incredible human rights documentary Children of the Mist is an expertly crafted anti-coming-of-age tale.... Reviews0 Comments
SFF 2022 Review: Singing in the Wilderness Brooke HeinzJune 13, 2022 Dongnan Chen's documentary Singing in the Wilderness reveals the cultural crisis facing a Miao community and their world famous choir.... Reviews0 Comments
House of Hamaguchi: The Films of Ryusuke Hamaguchi Natalie NgMarch 21, 2022 From festival darling Happy Hour to triumphant awards favourite Drive My Car, we cover all there is to know about Ryusuke Hamaguchi's cinema.... Features0 Comments
Review: Belle Hieu ChauFebruary 22, 2022 Mamoru Hosoda re-imagines Beauty and the Beast for the Internet-obssessed generation in his latest anime adventure, Belle.... Reviews0 Comments
Life Goes On: Akihiko Shiota’s Harmful Insect and Farewell Song Brooke HeinzDecember 20, 2021 For the lost youth in Akihiko Shiota’s Harmful Insect (1999) and Farewell Song (2019) there is no escaping from life's unpredictable course.... Features0 Comments
JFF 2021 Review: The Deer King Levin TanDecember 2, 2021 Veteran animators Masashi Ando and Masayuki Miyaji make their directorial debuts with The Deer King, a unique new fantasy adventure.... Reviews0 Comments
Review: Belladonna of Sadness Natalie NgOctober 24, 2021 Eiichi Yamamoto's hypersexual cult animation Belladonna of Sadness is at once a visually stunning work and a misguided take on feminism. ... Reviews0 Comments
Video Essay: The Eyes of Hong Kyung-Pyo Hieu ChauSeptember 3, 2021 We explore the cinematography of Hong Kyung-Pyo and discuss how his camera and lighting techniques give greater dimension to his films.... Video Essays0 Comments
The Maturation of Kim Jong-Kwan’s Cinema Natalie NgAugust 29, 2021 With Shades of the Heart and Josée, director Kim Jong-Kwan has shown how far his filmmaking has matured. We go deep on both of his new films.... Features0 Comments
NYAFF 2021 Review: Tiong Bahru Social Club Timothy AmatulliAugust 24, 2021 Tan Bee Thiam's Tiong Bahru Social Club is a fun experience that proudly acknowledges its film inspirations but lacks a distinct voice.... Reviews0 Comments
MIFF 2021 Review: Wife of a Spy Timothy AmatulliJuly 29, 2021 Co-written by the duo behind Ryusuke Hamaguchi's Happy Hour, Kiyoshi Kurosawa's Wife of A Spy is a fine espionage drama led by Yu Aoi.... Reviews0 Comments
